Cranbrook House, Plein Air & Oils Part II

"Cranbrook House," 11" x 14", oil on panel. Inquiries to ksantini@turtledovedesigns.com .

I had every intention of returning to Cranbrook Gardens after my class ended, but so far it hasn't happened. I haven't given up on this idea, but rather, am starting to realize how difficult it is in the midst of summer vacation, when I WANT to have 6+ hours to work on site with an idea.

I wanted to try this composition again multiple times, in the morning, mid-afternoon, and evening. Study how the light's angle changes the color and substance. It'll happen, just not this week.

Anyway, this is my second oil painting from my June plein air class. Unlike the last post, which was done from thumbnail sketches and memory, this one was done in the flesh.

I was drawn to the mullioned panes, and the way they reflected the sky and trees. The tiled roof did the same thing - flashes of pink in the highlights, and dashes of softer violets in the shadows.

I ran out of time to get that level of detail into this painting. But I had a great time finessing my drawing, working those edges, and laying the paint down. I think oils and I will be getting along fine in no time at all.

Thanks, as always, foor looking.

Kim

ksantini@turtledovedesigns.com

Plein Air and Oil Paints

"Twins," 8" x 10", oil painting on panel, inquiries to ksantini@turtledovedesigns.com .

It's been a while since I last posted to this blog. Guess I have been REALLY immersed in the daily paintings. But I did want to share some of the piecess from the plein air course I took last month.

It was a week long adventure into painting out of doors, working directly from the landscape, and using oil paints for the first time.

And of course, being Michigan, the weather did not coorperate.

Day one we wandered the grounds and did thumbnail sketches, planning compositions and breaking them down into planes, using about 5 values.

Day two was cold, windy, and threatening rain. We convened in the classroom to paint from memory, using our thumbnail sketches as guides.

That's where this piece, "Twin Shrubs" came from. The night prior I was drawn to the negative spaces between the low slung, woven branches, and the way the evening light glowed from behind.

This was a nice exercise for me, and allowed a lot of playing with the oil paint, working across the surface of the panel, lifting areas of paint, rubbing others in. I could have kept on working for hours, exploring the properties of the paint.

When we returned to the gardens the following night, I realized how "off" my painting really was. Just gives me another reason to try the same concept at another time.

Thanks, as always, for looking,

Kim

ksantini@turtledovedesigns.com